Yesterday, in almost-news, independent and hopeful David French (wait, who?) is not running for President. French, an attorney, veteran, and National Review writer, was viewed as a reasoned alternative for conscientious conservative voters. From French’s announcement:
Here is a sentence I never thought I’d type: After days of prayer, reflection, and serious study of the possibilities, I am not going to run as an independent candidate for president of the United States. I gave it serious thought — as a pretty darn obscure lawyer, writer, and veteran — only because we live in historic times. Never before have both parties failed so spectacularly, producing two dishonest, deceitful candidates who should be disqualified from running for town council, much less leader of the free world.
Given this reality, it would be tempting to say that when it comes to confronting this national moment, “somebody” stepping up is better than nobody. But somebody is not always better than nobody. I’m on record saying that Mitt Romney could win. I believe others could run and win, and would make excellent presidents.
French’s admitted obscurity made him a strange candidate to lead an insurgent third-party campaign. If an independent presidential candidacy falls in a forest, and only Bill Kristol’s remnant of stubborn #NeverTrump-ers were there to hear it, did it really make a sound?
If you’re disappointed in French’s decision to bow out, Gradient writer Ryan Hamm explained why he doesn’t feel like he’s choosing between “lesser evils.”
Jason is the cofounder of the iconic non-profit Invisible Children which was founded to increase awareness of the horrendous activities of the LRA in Central Africa. Jason was also the director of the iconic Kony 2012 film that took the world by storm. In this two-part interview Jason and Branden talk about what it means to create a movement, what Jason experienced during his breakdown and subsequent recovery, and Jason’s experience in the world of theater.
Aharon Rabinowitz is the head of marketing for Red Giant based in New York City. During our conversation, we discussed the importance of work life balance, his start as a production intern at Sesame Street and why artist’s feel personally offended when you reject their work.
United gets their cheap on, fake news, and Trump hired who?
Welcome to Episode IV. This week, Dan spends some time with his favorite singer/songwriter, Matthew Perryman Jones. Matthew and Dan talk about panic attacks, growing up in Atlanta, the way music is informed by pain and suffering and the way music gives freedom.
If you have spent any time watching television in the last decade you have most likely heard one of Mattew’s songs on shows like Grey’s Anatomy, Pretty Little Liars, One Tree Hill and many others. His insightful writing and voice have drawn comparisons to Leonard Cohen and Jeff Buckley, and he is on the short list of songwriters who skillfully weave the deeply philosophical and the vivid utterly human without ever losing sight of either.
To get his new album Cold Answer, (which features the three songs from him you heard on this episode), visit MPJmusic.com.
Branden sits down with writer and speaker Tyler Huckabee days after Donald Trump was elected President of the United States to talk about empathy, justice, listening, and where we go from here.
Special Election Edition, President Trump to legalized weed and everything in between.
This week we reflect on the election and discuss our strategies for staying sane.
Luca and Ilenia are the founders of Illo, a studio based in Turin, Italy. During our conversation, we discussed their self-driving video bot named Algo, how Illo was formed and how they’ve crafted a unique office culture.
This week we discuss Beyonce’s night at the CMAs, last minute election plans and how SNL might save us all.
We appreciate everyone sticking with us through this long hiatus but are planning our return even as we speak, with a bunch of new goodies and an updated format. In the meantime, here’s a brief primer on Marvel’s Sorcerer Supreme, Doctor Strange — just so you can go into the movie knowing what you’re getting yourself into.