On Friday, a new federal study was released showing a significant increase in U.S. suicide rates, specifically amongst white women. From 1999 to 2006, suicide rates increased by one percent annually, but after 2006 the yearly percentage climb was bumped up to two annual percentage points. From 1999 to 2014, the suicide rate increased by 45% for women, as compared to 16% for men. Research suggests that the over all increase is linked to the recession, people losing their jobs, their security, their marriages; it most certainly takes a toll. However, researchers are still debating why the increase in women suicide rates specifically.
Some reports on the study have brought up the big game changer in the twenty-first Century: social media. Facebook, Twitter, Instagram, Snapchat have all caused social pressure to largely escalate. It is hard to escape. Women are no longer just feeling social pressures at work, at the park with their kids and at school; they are also feeling it when they come home and “relax.” In the digital age, you are not just expected to be cool around your friends and in the moment, but also online and when you are alone. Post a picture, tell your friends about it and make sure it’s trendy. Stressful stuff. And that’s before you take cyber bullying, jealousy, fat shaming, and loneliness into account.
Hopefully, this report will cause some further investigation into causes for female suicides and issues of mental health. The twenty-first Century presents a whole new set of crap for counselors to specialize in.
Jason is the cofounder of the iconic non-profit Invisible Children which was founded to increase awareness of the horrendous activities of the LRA in Central Africa. Jason was also the director of the iconic Kony 2012 film that took the world by storm. In this two-part interview Jason and Branden talk about what it means to create a movement, what Jason experienced during his breakdown and subsequent recovery, and Jason’s experience in the world of theater.
Aharon Rabinowitz is the head of marketing for Red Giant based in New York City. During our conversation, we discussed the importance of work life balance, his start as a production intern at Sesame Street and why artist’s feel personally offended when you reject their work.
United gets their cheap on, fake news, and Trump hired who?
Welcome to Episode IV. This week, Dan spends some time with his favorite singer/songwriter, Matthew Perryman Jones. Matthew and Dan talk about panic attacks, growing up in Atlanta, the way music is informed by pain and suffering and the way music gives freedom.
If you have spent any time watching television in the last decade you have most likely heard one of Mattew’s songs on shows like Grey’s Anatomy, Pretty Little Liars, One Tree Hill and many others. His insightful writing and voice have drawn comparisons to Leonard Cohen and Jeff Buckley, and he is on the short list of songwriters who skillfully weave the deeply philosophical and the vivid utterly human without ever losing sight of either.
To get his new album Cold Answer, (which features the three songs from him you heard on this episode), visit MPJmusic.com.
Branden sits down with writer and speaker Tyler Huckabee days after Donald Trump was elected President of the United States to talk about empathy, justice, listening, and where we go from here.
Special Election Edition, President Trump to legalized weed and everything in between.
This week we reflect on the election and discuss our strategies for staying sane.
Luca and Ilenia are the founders of Illo, a studio based in Turin, Italy. During our conversation, we discussed their self-driving video bot named Algo, how Illo was formed and how they’ve crafted a unique office culture.
This week we discuss Beyonce’s night at the CMAs, last minute election plans and how SNL might save us all.
We appreciate everyone sticking with us through this long hiatus but are planning our return even as we speak, with a bunch of new goodies and an updated format. In the meantime, here’s a brief primer on Marvel’s Sorcerer Supreme, Doctor Strange — just so you can go into the movie knowing what you’re getting yourself into.