A few days ago, director John Carney let fly some bad comments about working with Keira Knightley on him Begin Again film. He told The Independent, among other things, that “acting requires a certain level of honesty and self-analysis that I don’t think [Knightley] is ready for yet.” He also accused her of having “an entourage that follow her everywhere so it’s very hard to get any real work done.” Since Keira Knightley is a woman and it’s 2016, she’s probably used to mean things being said about her online. This isn’t exactly breaking news.
Still, this story became noteworthy on Wednesday, when Carney took to Twitter to apologize for his comments and did something rather remarkable: offered the rare, genuine, heartfelt-seeming apology that seems to provide actual remorse and introspection. “I’m ashamed of myself that I could say such things and I’ve been trying to account for what they say about me,” he said in a note posted to Twitter. “In trying to to pick holes in my work, I ended up blaming someone else. That’s not only bad directing, that’s shoddy behavior.”
Not to make excuses for Carney’s earlier words about Knightley, which were pretty shitty, but this apology is refreshingly candid and sincere. None of the “I’m sorry if anyone was offended” bullshit. No “the media took my words out of context” smokescreen. Just a straightforward admission of wrongdoing and a promise to do better in the future. Other celebrities needing to make apologies could learn a lot from this. We all could.
Jason is the cofounder of the iconic non-profit Invisible Children which was founded to increase awareness of the horrendous activities of the LRA in Central Africa. Jason was also the director of the iconic Kony 2012 film that took the world by storm. In this two-part interview Jason and Branden talk about what it means to create a movement, what Jason experienced during his breakdown and subsequent recovery, and Jason’s experience in the world of theater.
Aharon Rabinowitz is the head of marketing for Red Giant based in New York City. During our conversation, we discussed the importance of work life balance, his start as a production intern at Sesame Street and why artist’s feel personally offended when you reject their work.
United gets their cheap on, fake news, and Trump hired who?
Welcome to Episode IV. This week, Dan spends some time with his favorite singer/songwriter, Matthew Perryman Jones. Matthew and Dan talk about panic attacks, growing up in Atlanta, the way music is informed by pain and suffering and the way music gives freedom.
If you have spent any time watching television in the last decade you have most likely heard one of Mattew’s songs on shows like Grey’s Anatomy, Pretty Little Liars, One Tree Hill and many others. His insightful writing and voice have drawn comparisons to Leonard Cohen and Jeff Buckley, and he is on the short list of songwriters who skillfully weave the deeply philosophical and the vivid utterly human without ever losing sight of either.
To get his new album Cold Answer, (which features the three songs from him you heard on this episode), visit MPJmusic.com.
Branden sits down with writer and speaker Tyler Huckabee days after Donald Trump was elected President of the United States to talk about empathy, justice, listening, and where we go from here.
Special Election Edition, President Trump to legalized weed and everything in between.
This week we reflect on the election and discuss our strategies for staying sane.
Luca and Ilenia are the founders of Illo, a studio based in Turin, Italy. During our conversation, we discussed their self-driving video bot named Algo, how Illo was formed and how they’ve crafted a unique office culture.
This week we discuss Beyonce’s night at the CMAs, last minute election plans and how SNL might save us all.
We appreciate everyone sticking with us through this long hiatus but are planning our return even as we speak, with a bunch of new goodies and an updated format. In the meantime, here’s a brief primer on Marvel’s Sorcerer Supreme, Doctor Strange — just so you can go into the movie knowing what you’re getting yourself into.